What really stood out was how time grades can turn a black canvas into something manageable and inspiring. Grids don't hold designers back; instead, the grid gives enough structure to spark ideas and keep icons looking consistent with each other. For example, Otl Aicher's Olympic symbols and Susan Kare's tiny Macintosh icon show grids that have always been key for making designs clear, whether they are meant for big signs or tiny springs. Even with the advanced tools today and high-resolution displays, using grids still matters because they keep eye contact readable and balanced. Grids are like the hidden backbone people may not notice, but it's the reason that icons are clean, undefined, and easy to understand
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